![]() It is gradually revealed that her conception and birth was part of her mother’s plan for revenge against four individuals who murdered her husband and raped her. (The original title, Shurayuki-hime, plays on the Japanese name for Snow White, Shirayuki.) The story follows a young woman named Oyuki, who was born in prison to a mother serving time for murder the mother dies during the birth and Oyuki is raised outside the prison by a former inmate, and trained in martial arts by a Buddhist priest. ![]() Reprinted in late 1973 to coincide with the first film’s release, it has remained in print ever since, including an English-language version published by Dark Horse Comics. Originally published in a 51-issue comic book series between February 1972 and March 1973, Lady Snowblood was written by prolific manga author Kazuo Koike, creator of Crying Freeman and Lone Wolf and Cub, and illustrated by Kazuo Kamimura. The archetypal title character has been referenced and repurposed for multiple remakes or re-adaptations of the original comic-book series, as well as more subtle variations which take the core concept of an emotionless woman thirsting for vengeance-itself nothing new at the time the comic was written-and update it for different settings. hi-def debut in a double-feature Blu-ray set from The Criterion Collection, for which I produced a pair of video interviews-go far beyond Tarantino, of course. The influence of the Lady Snowblood films-which recently made their U.S. (I didn’t even mind the distraction, since I was doing the same thing for a friend sitting next to me.) It was a Japanese-language print with German subtitles, but he spoke with total familiarity and great enthusiasm. Ten years ago, during a midnight screening at the Sitges Film Festival in Spain, I sat behind Tarantino as he live-narrated the plot of Lady Snowblood (73) to a friend sitting next to him. In the case of Toshiya Fujita’s Lady Snowblood swordplay revenge films, I can tell you there’s no doubt about it, and not just because of his well-documented borrowings in Kill Bill Vol. Many titles in the pantheon of cult cinema have been touted as favorites of exploitation film connoisseur Quentin Tarantino, with varying degrees of veracity.
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